![]() ![]() This book explores the debates which were sparked by the arrival of “the people’s pictures”, and places them in historical context by examining their many precedents. Short films and low budget, experimental cinema – which often require state support – tend to go unwatched by large swathes of the Lottery ticket-buying public. If Lottery funding is used to produce the type of British films which the public want to see, such as romantic comedies, then many question whether the market deserves such subsidy. But when the proceeds began to be distributed to worthy causes, including the British film industry, this populist rhetoric came under increasing strain. ![]() When John Major launched the UK’s National Lottery in 1994 he christened it “the people’s Lottery” and handed it to the mythical stewardship of the Everyman.
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